A work in constant progress (and occasional regress).
Birthplace:
Barstow, California, United States
Sylvia Ray is an Korean/Mexican-American film director, writer and producer based in Los Angeles. She is a fellow of the 2019 Tomorrow's Filmmakers Today Program sponsored by HBO. She was also a fellow of the 2018 Women in Film INSIGHT group and the 2019 year-long Women in Film Mentorship program. Sylvia has also been selected for the 2020 Academy Gold Career Advancement Initiative. In 2019, Sylvia won several awards and prizes from film festivals around the world for her short film A PERIOD PIECE, including Best Female Filmmaker at Lonely Seal Film Festival. In the same year, her short film LEN(N)Y was selected at several festivals and was a finalist for Best Short Film at the Cinema D'Idea Film Fest in Italy. Sylvia has worked creatively in AR and VR with clients like Magnopus on Disney and Disney-Pixar projects. She has also worked with Director Christopher Blauvelt on the GROUPLOVE music video for DELETER and has shadowed Director Michael Goi on ABC's THE ROOKIE. Having grown up in a small desert town -- where nearly half the population lives beneath the poverty line -- and moving to Los Angeles as a young adult, she draws inspiration from her own self discipline and determination, and provides a unique perspective as a Korean/Mexican-American woman. Her focus is to tell stories that highlight women and people of color that bridges cultural and economic gaps in a truthful and entertaining way. Sylvia is a California native, was born and raised in the high desert, and earned a degree in Communications while minoring in Asian Studies at Cal State Fullerton. She currently lives in Los Angeles with her husband and two sons.
Director:
2018 Len(n)y
2019 A Period Piece
2023 Our Late Father
Editor:
2018 Len(n)y
2019 A Period Piece
2019 Cherry Lemonade
2023 Give Me An A
2023 Our Late Father
Executive Producer:
2018 Len(n)y
2019 A Period Piece
2019 Cherry Lemonade
2023 Give Me An A
2023 Our Late Father
Writer:
2018 Len(n)y
2019 A Period Piece
2019 Cherry Lemonade
2023 Give Me An A
2023 Our Late Father
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.