A work in constant progress (and occasional regress).
Birthplace:
Dallas, Texas, USA
Born:
November 28, 1994
Connor Martin is a Texan writer and director based in Los Angeles and New York City. After time at Anonymous Content and on two Emmy-winning seasons at Saturday Night Live, he made his directorial debut with the DIY pandemic schlock-fest SHELTER IN PLACE (1091 Pictures, The Komack Company.) Martin founded a boutique development and production company, Spindletop Media, in 2021 to coincide with production of his upcoming sophomore feature, TEXANA.
Director:
2021 Shelter in Place
2022 Miltown
2022 Sentenced
Executive Producer:
2021 Shelter in Place
2022 Miltown
2022 Sentenced
Producer:
2021 Shelter in Place
2022 Miltown
2022 Sentenced
Writer:
2021 Shelter in Place
2022 Miltown
2022 Sentenced
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.