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Natalia Cabello

Birthplace:
Ciudad de México, México

Biography from TheMovieDB

Born in Mexico City, she began her studies in Cinematography at age 18, in prestigious Mexican institution Universidad Nacional Autónoma de México (UNAM), at its Escuela Nacional de Artes Cinematográficas (ENAC –former CUEC). Recently graduated, she is now in postproduction of her filmic thesis as a director and screenwriter, as well as another short film where she directs and cowrites.  She has since worked in the cinematographic industry in different areas. Worth mentioning are the TV series "Erótica" and feature film "Adiós, Amor", both now in post production. She also works as an assistant professor in screenwriting courses at the University.

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Additional information:

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Film Performances

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Film Production

Director:
2018  Blossoms in Agony
2023  Leda in the Elevator
2023  Moo

Editor:
2018  Blossoms in Agony
2023  Leda in the Elevator
2023  Moo

First Assistant Camera:
2018  Blossoms in Agony
2019  Compás al Aire
2023  Leda in the Elevator
2023  Moo

Post Producer:
2018  Blossoms in Agony
2019  Compás al Aire
2023  Leda in the Elevator
2023  Moo

Producer:
2018  Blossoms in Agony
2019  Compás al Aire
2023  Leda in the Elevator
2023  Moo

Screenplay:
2018  Blossoms in Agony
2019  Compás al Aire
2023  Leda in the Elevator
2023  Moo

Second Assistant Director:
2018  Blossoms in Agony
2019  Compás al Aire
2023  Leda in the Elevator
2023  Moo
2024  Taint

Sound Designer:
2018  Blossoms in Agony
2019  Compás al Aire
2023  Leda in the Elevator
2023  Moo
2024  Taint

Sound Recordist:
2018  Blossoms in Agony
2019  Compás al Aire
2019  Rest of Delirium
2023  Leda in the Elevator
2023  Moo
2024  Taint

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.