A work in constant progress (and occasional regress).
Alias:
Nathanial Hil
Nathaniel Hill
Camera Operator:
2010 Frankie Boyle - I Would Happily Punch Every One of You in the Face
2014 Robbie Williams: Live In Tallinn
2017 The Who: Live at the Isle of Wight 2004 Festival
2019 You Only Live Once: Die Toten Hosen on Tour
Director:
2010 Frankie Boyle - I Would Happily Punch Every One of You in the Face
2014 Robbie Williams: Live In Tallinn
2017 The Who: Live at the Isle of Wight 2004 Festival
2019 You Only Live Once: Die Toten Hosen on Tour
2021 Catherine Bohart: Immaculate
2021 Desiree Burch: Unf*ckable
2021 Jessica Fostekew: Hench
2021 Kai Samra: Underclass
2021 Sarah Keyworth: Dark Horse
2021 Sindhu Vee: Sandhog
2021 Stand Up With Janine Harouni (Please Remain Seated)
2022 Alfie Brown: Sensitive Man
2022 Anuvab Pal: The Empire
2022 Felicity Ward: Busting A Nut
2022 Mark Watson: This Can't Be It
2022 Michael Odewale: #blackbearsmatter
2022 Natalie Palamides: Laid
2022 Olga Koch: Homecoming
2022 Suzi Ruffell: Dance Like Everyone's Watching
Director of Photography:
2010 Frankie Boyle - I Would Happily Punch Every One of You in the Face
2014 Robbie Williams: Live In Tallinn
2016 Don't Hang Up
2017 The Who: Live at the Isle of Wight 2004 Festival
2018 After the Screaming Stops
2019 Bill Burr: Paper Tiger
2019 You Only Live Once: Die Toten Hosen on Tour
2021 Catherine Bohart: Immaculate
2021 Desiree Burch: Unf*ckable
2021 Gorillaz | Song Machine Live From Kong
2021 Jessica Fostekew: Hench
2021 Kai Samra: Underclass
2021 Sarah Keyworth: Dark Horse
2021 Sindhu Vee: Sandhog
2021 Stand Up With Janine Harouni (Please Remain Seated)
2022 Alfie Brown: Sensitive Man
2022 Anuvab Pal: The Empire
2022 Felicity Ward: Busting A Nut
2022 Joe Lycett: More, More, More! How Do You Lycett? How Do You Lycett?
2022 Little Mix: The Last Show (For Now...)
2022 Mark Watson: This Can't Be It
2022 Michael Odewale: #blackbearsmatter
2022 Natalie Palamides: Laid
2022 Olga Koch: Homecoming
2022 Suzi Ruffell: Dance Like Everyone's Watching
2025 SIX The Musical Live!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.