Zanin Lindsay (b. 1993)

Birthplace:
Bronx, New York, USA

Born:
September 23, 1993

Zanin Lindsay is a multi-racial filmmaker born and raised in the Bronx. With his unique cultural and socio-economic background he strives to use his talents in cinematography and directing to create content that will inspire his community in the Bronx and beyond. During his youth, movies became both an escape from his situation and a link to the outside world. However as Zanin grew, he began to realize that the films he enjoyed did not represent people that looked like him or the community he is a part of. This crisis of identity became the seed of inspiration for him after briefly serving in the Marines. He discovered his passion for filmmaking and desire to create stories that do away with the stereotypes, tropes and labels he saw growing up. In the fall of 2013, Zanin enrolled at Bronx Community College where he earned his Associates in Media and Digital Film Production. In his senior year, Zanin was awarded the first ever Sol Negrin Memorial Award, sponsored by the IATSE Local 600 International Cinematographers Guild, for his work as a filmmaker and student leader. His thesis film, Antithesis, won First Place at the 25th Annual Bronx Community College Film and Video Festival, and was awarded the Chairsperson's Award and the Peter J. Rondinone Memorial Award.

Additional information:

The Search Form


Additional Photography:
2019  What a Wonderful World

Camera Operator:
2019  What a Wonderful World

Director of Photography:
2019  What a Wonderful World
2023  And What If I Am?
2024  Bar. Boy.
????  Perfume

First Assistant "A" Camera:
2019  What a Wonderful World
2022  Record Shop
2023  And What If I Am?
2024  Bar. Boy.
????  Perfume

First Assistant Camera:
2019  What a Wonderful World
2022  Record Shop
2022  Through The Trees
2023  And What If I Am?
2024  Bar. Boy.
????  Perfume

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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