Home

Jonathan Davis Arakelian

Alias:
Jonathan Davis

Birthplace:
Mexico City, Mexico

Biography from TheMovieDB

Producer, he founded his production company Edge Films in 2017. Davis has participated in thirteen feature films “Opening Night”, “Hasta Que La Boda Nos Separe”, “Ni Tu Ni Yo”, “Deadtectives”, “Musictopia” and “3 idiotas”. “Modo Avião,” premiered in January 2020 worldwide as Netflix's first Brazilian original feature film. Premiered “Good Savage” at the Tallinn Black Nights International Film Festival in 2023 and had the world premiere of “A History of Love and War” at the International Film Festival Rotterdam in 2024. Both films are directed by Santiago Mohar Volkow. He premiered Ricardo Castro's second feature film “The Perfect Club” for Vix at the Austin International Film Festival winning the Audience Award. He currently has three feature films in Post Production. “La Peluca” directed by Emiliano Rocha Minter, “Africa Express” documentary by Emilio Guerrero Alexander and the horror film ‘No Me Sigas’ directed by Ximena Lecuona and Eduardo Lecuona. Marking a milestone for Blumhouse, “No Me Sigas” will be its first Spanish-language production, set to hit theaters in October 2025.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Associate Producer:
2016  Opening Night
2018  Hasta que la boda nos separe

Executive Producer:
2016  Opening Night
2018  Hasta que la boda nos separe
2018  Neither You Nor I
2019  DeadTectives
2020  Airplane Mode

Original Story:
2016  Opening Night
2018  Hasta que la boda nos separe
2018  Neither You Nor I
2019  DeadTectives
2020  Airplane Mode

Producer:
2016  Opening Night
2018  Hasta que la boda nos separe
2018  Neither You Nor I
2019  DeadTectives
2020  Airplane Mode
2020  Coche
2021  Agua Mágica
2024  A History of Love and War
2024  The Wig
2025  Good Savage
????  Don't Follow Me

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.