A work in constant progress (and occasional regress).
Birthplace:
Baku, Azerbaijan SSR, USSR [now Azerbaijan]
Born:
October 20, 1922
Died:
February 7, 1993
Shovkat Feyzulla qizi Alakbarova was an Azerbaijani singer. Shovkat Alakbarova was born to Azerbaijani parents - Feyzulla and Hokuma Alakbarov, and was the third of the family's four children. Her mother was a professional tar player and her father, a labourer, was a folk music lover. Both parents passed similar interests on to their children.[1] As a child, Shovkat took up kamancha lessons. In 1937, she became one of the finalists at a contest held among amateur singers and judged by prominent Azerbaijani composers and musicians, such as Uzeyir Hajibeyov and Bulbul. She performed Qarabagh shikastasi at the Azerbaijan State Opera and Ballet Theatre in Baku (which was her first stage performance) and was chosen by Hajibeyov to join the newly formed Azerbaijan State Choir, where Alakbarova started her professional career as a singer. As a teenager, she was vocally trained by mugham instructor Aghalar Aliverdibeyov and opera singer Huseyngulu Sarabski. At the early stage of her career, she mostly performed folk songs. During the Second World War while giving concerts to soldiers in hospitals, train stations, military units, Alakbarova first sang patriotic war songs composed by Hajibeyov. She would make up to 50 performances a day, including those in distant places such as Stalingrad and Ukraine. Beginning in 1945, she worked with the Azerbaijan State Philharmonic Society. By the 1950s, she was recognized as the most popular Azerbaijani singer of both folk and composed songs. Most of Alakbarova's songs were in Azeri, however she also sang in Persian, Arabic, and Turkish. She toured over 20 countries in Europe, Asia and Africa. Three years before her death, in 1990, she went to Germany to receive medical treatment and at the same time to perform for the Azeri émigrés.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.