A work in constant progress (and occasional regress).
Alias:
G. Krugers
Georg Eduard Albert Krugers
Born:
November 4, 1890
Died:
August 10, 1964
Georg Eduard Albert Krugers (4 November 1890, in Banda Neira – 10 August 1964, in The Hague; also written as G. Kruger) was a cameraman and film director active in the Dutch East Indies (modern Indonesia) during the early 20th century. He is recorded as having worked in film since the mid-1920s, and in 1927 he made his directorial debut, Eulis Atjih. He joined hajj pilgrims in 1928 and screened the resulting documentary in the Netherlands. His 1930 film Karnadi Anemer Bangkong is thought to be the first talkie in the cinema of the Indies, but was a commercial failure as the majority Sundanese audience considered it insulting. After making two works for Tan's Film in the early 1930s, Krugers moved to Hong Kong and then the Netherlands.
Director:
1926 The Enchanted Monkey
1927 Eulis Atjih
1928 The Great Mecca Celebration
1930 Karnadi the Frog Contractor
1931 Atma De Vischer
1931 Forced to Marry
Director of Photography:
1926 The Enchanted Monkey
1927 Eulis Atjih
1928 The Great Mecca Celebration
1930 Karnadi the Frog Contractor
1931 Atma De Vischer
1931 Forced to Marry
1932 Njai Dasima
Producer:
1926 The Enchanted Monkey
1927 Eulis Atjih
1928 The Great Mecca Celebration
1930 Karnadi the Frog Contractor
1931 Atma De Vischer
1931 Forced to Marry
1932 Njai Dasima
Sound Designer:
1926 The Enchanted Monkey
1927 Eulis Atjih
1928 The Great Mecca Celebration
1930 Karnadi the Frog Contractor
1931 Atma De Vischer
1931 Forced to Marry
1932 Njai Dasima
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.