A work in constant progress (and occasional regress).
Alias:
Djaâfar Gacem
Djaâfer Gacem
جعفر قاسم
Birthplace:
Algiers, Algeria
Born:
September 18, 1966
Djaffar Gacem (Arabic: جعفر قاسم), born September 18, 1966, is an Algerian director, screenwriter and producer (sometimes credited under the names Djaâfar Gacem, Djaâfer Gacem). He created his own production company: SD BOX (2007 to 2013) then Prod’art Films (since 2013). He stands out for directing popular television series, notably broadcast during the month of Ramadan, where his unique style mixes humor and social satire. Djaffar Gacem is appreciated for his ability to capture the daily life of Algerians and to treat local subjects with authenticity and sensitivity such as the successful series Nass Mleh City, Sultan Ashour 10, etc. His productions, often comedies but also dramas, have had a lasting impact on the Algerian audience, as with the film “Héliopolis” (2021), his first feature film. The film selected to represent Algeria at the Cinema Oscars in the category of best international feature film will ultimately not be in competition, the COVID pandemic having prevented its commercial screening in theaters (then closed) of the film for at least a week in the country of origin, as required by the criteria of AMPAS (Academy of Motion Picture Arts and Sciences). He received the Best Director Prize at the Fennec d'Or Festival 2006 and 2008 (Algeria), and in 2024, the Honorary Prize at the Dzair Creative Ad Awards.
Director:
2021 Heliopolis
Writer:
2021 Heliopolis
Creator:
2003 Nass Mlah City
2015 Sultan Ashour 10
Director:
2003 Nass Mlah City
2015 Sultan Ashour 10
Writer:
2003 Nass Mlah City
2015 Sultan Ashour 10
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.