A work in constant progress (and occasional regress).
Alias:
Julio Alejandro Flores
Birthplace:
Reynosa, Tamaulipas, Mexico
Born:
September 7, 1999
Assistant Director:
2022 Epitome of Dis/love
Assistant Director of Photography:
2022 Diner Kiss
2022 Epitome of Dis/love
Cinematography:
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Diner Kiss
2022 Epitome of Dis/love
Director:
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2023 A Real Hero (Literally You)
Director of Photography:
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2023 A Real Hero (Literally You)
Editor:
2018 Arquetipo
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 MORRA (Monotonía Express)
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Bonanza
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2023 A Real Hero (Literally You)
Gaffer:
2018 Arquetipo
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 MORRA (Monotonía Express)
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Bonanza
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2022 Red Night
2023 A Real Hero (Literally You)
Production Assistant:
2018 Arquetipo
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 MORRA (Monotonía Express)
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Bonanza
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2022 Red Night
2023 A Real Hero (Literally You)
Visual Effects:
2018 Arquetipo
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 MORRA (Monotonía Express)
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Bonanza
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2022 Red Night
2023 A Real Hero (Literally You)
2023 Spuria
Writer:
2018 Arquetipo
2018 ¿Hasta Cuando Me Amarás?
2019 Cita Ciega
2019 Contigo
2019 MORRA (Monotonía Express)
2019 Nuestro Viaje
2019 Palabras
2020 El Oso
2020 Fantasmas sin Hogar
2020 Recuerdo Compacto
2021 Devuelto al Remitente
2021 Luna Roja
2021 ¿Puedes Quedarte un Segundo Más?
2022 Bonanza
2022 Diner Kiss
2022 Ephemeral
2022 Epitome of Dis/love
2022 My Hair Is Yours
2022 Red Night
2023 A Real Hero (Literally You)
2023 Spuria
Creator:
2017 The Adventures of Agent Marlon
Director:
2017 The Adventures of Agent Marlon
Director of Photography:
2017 The Adventures of Agent Marlon
Editor:
2017 The Adventures of Agent Marlon
Writer:
2017 The Adventures of Agent Marlon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.