John Carlo Rosillo

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Alias:
Carlo Rosillo

Born in the Philippines, John Carlo Rosillo moved to America as a child and immediately fell in love with film. Having trouble adjusting to his new life, he quickly found the medium a way for him to connect with the people, culture, and language around him.  Inspired by the action of movies like Star Wars and drama films like the Graduate, Carlo set out to tell stories of his own.  He began making his films and enrolled in the TV Production Program at Milwaukee Area Technical College. He combined his passion for real-world applications to take his skills to the next level.  John Carlo takes inspiration from his real-life and aims to tell stories that speak not only to him but those who watch them as well.

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Cinematography:
2021  Inoculation
2022  Pushback

Director:
2019  Mutism
2021  Che Si Può Fare?
2021  Inoculation
2021  Until This Day
2022  Pushback
2023  Atomic Hearts
2024  Mending

Director of Photography:
2019  Mutism
2021  Che Si Può Fare?
2021  Inoculation
2021  Until This Day
2022  Pushback
2023  Atomic Hearts
2024  Mending

Editor:
2019  Mutism
2021  Che Si Può Fare?
2021  Inoculation
2021  Until This Day
2022  Pushback
2023  Atomic Hearts
2024  Mending

Producer:
2019  Mutism
2021  Che Si Può Fare?
2021  Inoculation
2021  Until This Day
2022  Pushback
2023  Atomic Hearts
2024  Mending

Writer:
2019  Mutism
2021  Che Si Può Fare?
2021  Inoculation
2021  Until This Day
2022  Pushback
2023  Atomic Hearts
2024  Mending

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.