A work in constant progress (and occasional regress).
Born:
May 1, 1993
Clayton Orgles is an Australian horror director with a keen focus on psychological depth, showcasing the dark interplay between character fixations and human nature. Beginning his career in music videos, Clayton collaborated with a spectrum of international artists and record labels, navigating the challenges of diverse narrative demands and budget constraints. His work in the heavy metal genre, particularly with Black Tongue's "Second Death" and Saviour's "Younger," are noted emotionally resonant storytelling and careful attention to production detail, garnering millions of views online. Clayton's venture into film has been characterised by a series of shorts that explore complex characters and their intricate narratives: "Disenthrall" (2019) portrays a game developer whose grip on reality blurs after a personal loss, causing her to combine work and the real world in an attempt to turn back time, losing herself in the process. "Dissociation" (2023), an H.P. Lovecraft Adaptation, follows a researcher whose relentless investigation into a missing family leads her into life-threatening mystery involving an old man obsessed with an ancient book. "Disconnect" (2023) explores the dark allure of social media fame, as a couple faces ominous consequences after encountering a relic offering followers in exchange for self-inflicted pain, highlighting the dire consequences of their fixation. These works, featured in festivals like Screamfest, Revelation Perth, and the H.P. Lovecraft Film Festival, reflect Clayton's consistent pursuit of stories that challenge and intrigue, focusing on the human element within the horror genre. As Clayton moves forward, his focus remains on directing feature-length horror films that continue to explore character fixations and their interplay with human nature. His journey is marked by a continuous learning process, an openness to evolving storytelling methods, and a commitment to bringing thought-provoking, character-driven horror to a wider audience.
Cinematography:
2023 Dissociation
Digital Compositor:
2021 Reptile
2023 Dissociation
Director:
2021 Reptile
2023 Disconnect
2023 Dissociation
Editor:
2021 Reptile
2023 Disconnect
2023 Dissociation
Visual Effects:
2018 Sammy the Salmon
2021 Reptile
2023 Disconnect
2023 Dissociation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.