A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
April 28, 1916
Died:
May 28, 2018
Paulette Coquatrix (born Clara Paulette Possicelsky, 26 April 1916 – 28 May 2018) was a French costume designer. At the beginning of the 1950s, she was a costume designer for the Comédie-Caumartin shows, directed by Bruno Coquatrix from 1952. In the early 1960s, her costume atelier went bankrupt and closed down after Josephine Baker failed to pay for the costumes she had ordered for her revue of Paris, mes amours. When her husband Bruno Coquatrix died in 1979, she inherited Olympia Hall in equal shares with her daughter Patricia. She entrusted the general direction to her nephew Jean-Michel Boris, who joined the company in 1954. Under her ownership, the Olympia Hall was destructed and rebuilt identically a few meters away from its original location in 1997. After Jean-Michel Boris was laid off from the Olympia by her daughter Patricia, tensions arose between Paulette and Patricia regarding the business management of the music hall. Coquatrix sold the auditorium to the Vivendi group in August 2001. Paulette Coquatrix died on 28 May 2018 at the age of 102. Source: Article "Paulette Coquatrix" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Costume Design:
1954 The Contessa's Secret
1955 Frou-Frou
1956 It Happened in Aden
1957 The Adventures of Arsène Lupin
1958 Sans famille
Costume Designer:
1954 Count of Bragelonne
1954 The Contessa's Secret
1955 Frou-Frou
1956 It Happened in Aden
1957 The Adventures of Arsène Lupin
1958 Sans famille
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.