A work in constant progress (and occasional regress).
Mireya Martinez is a filmmaker, producer, and writer based between Los Angeles and Mumbai. Her work and collaborations have screened at numerous film festivals such as San Sebastian, Sundance, Outfest, Camden International Film Festival, IFFR, Leeds, Kurzfilm Festival Hamburg, and Black Canvas. They can also be found on Mubi and The Criterion Channel. While her work ranges in form, her sole pursuit is to tell and support stories that make palpable the human experience in all of its tatteredness, fragility, magnitude, and joy. Mireya is a 2021 Sundance Institute and Women In Film Fellow and holds an MFA in Film Direction from the California Institute of the Arts.
Director:
2021 purgatory is the side of the road
2022 Así en la tierra como en el cielo
First Assistant Director:
2020 Lata
2021 purgatory is the side of the road
2022 Así en la tierra como en el cielo
Producer:
2020 Lata
2021 purgatory is the side of the road
2022 Así en la tierra como en el cielo
2023 Feet in Water, Head on Fire
???? I Think I'd Like to Stay
Screenplay:
2020 Lata
2021 purgatory is the side of the road
2022 Así en la tierra como en el cielo
2023 Feet in Water, Head on Fire
???? I Think I'd Like to Stay
Writer:
2020 Lata
2021 purgatory is the side of the road
2022 Así en la tierra como en el cielo
2023 Feet in Water, Head on Fire
???? I Think I'd Like to Stay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.