A work in constant progress (and occasional regress).
Birthplace:
Epsom, Surrey, England, UK
Paul Kowalski is an award-winning writer-director whose films center around identity, exile and obsession, often featuring dark psychologies and the supernatural. His film SARDINIA won Best Director Grand Prize at the 2024 Flickers Rhode Island film festival, and is long-listed for the 2025 Academy Awards. Executive producer Patton Oswalt called it “an effortlessly original piece of work…beyond timely”; the film stars FIRST REFORMED’s Philip Ettinger, and Emmy-winner Martha Plimpton. Paul’s 2021 debut feature PAPER TIGER won the Audience Award and a Jury Prize at the Austin Film Festival, and was subsequently sold by Gersh and distributed onto Amazon. Born in the UK to Polish immigrants, Paul grew up in England, the Middle East, Poland, Africa, Southeast Asia and across America – sparking a natural impulse to reconcile contrasting views of the world. Studying literature and writing at Brown University, he published a collection of short stories and made his earliest films, then later received his MFA from the AFI Conservatory. Kowalski’s films have won international recognition from the ASC, Beijing Film Academy and CINE, as well as the Canadian Cinematheque, Aesthetica, Raindance, deadCENTER, Cinequest and Indy Shorts film festivals, among others. Paul is also a two-time BAFTA Newcomer, frequent lecturer at USC’s School of Cinematic Arts – and in 2021 was selected by Austin Film Festival and Writer’s Conference to their “25 Screenwriters To Watch” list. He is a Polish, British and US citizen, and lives in LA with his wife, actress Sorel Carradine.
Director:
2020 Paper Tiger
2024 Sardinia
Editor:
2020 Paper Tiger
2024 Sardinia
Producer:
2020 Paper Tiger
2024 Sardinia
Writer:
2020 Paper Tiger
2024 Sardinia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.