A work in constant progress (and occasional regress).
Alias:
Alan J. Lerner
Birthplace:
New York City, New York, U.S.
Born:
August 31, 1918
Died:
June 14, 1986
Alan Jay Lerner was an American lyricist and librettist. In collaboration with Frederick Loewe, and later Burton Lane, he created some of the world's most popular and enduring works of musical theatre both for the stage and on film. Lerner won three Tony Awards and three Academy Awards, among other honors.
Book:
1964 My Fair Lady
Lyricist:
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2022 Becoming Benanti: The Role of a Lifetime
Musical:
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2022 Becoming Benanti: The Role of a Lifetime
Original Story:
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2021 Mashup
2022 Becoming Benanti: The Role of a Lifetime
Producer:
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2021 Mashup
2022 Becoming Benanti: The Role of a Lifetime
Screenplay:
1951 An American in Paris
1951 Royal Wedding
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2021 Mashup
2022 Becoming Benanti: The Role of a Lifetime
Story:
1951 An American in Paris
1951 Royal Wedding
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2021 Mashup
2022 Becoming Benanti: The Role of a Lifetime
Theatre Play:
1951 An American in Paris
1951 Royal Wedding
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2008 Camelot: Live from Lincoln Center
2021 Mashup
2022 Becoming Benanti: The Role of a Lifetime
Writer:
1951 An American in Paris
1951 Royal Wedding
1954 Brigadoon
1958 Gigi
1960 The Adventures of Huckleberry Finn
1964 My Fair Lady
1966 Brigadoon
1967 Camelot
1969 Paint Your Wagon
1970 On a Clear Day You Can See Forever
1974 The Little Prince
1982 Camelot
1992 I'm a Stranger Here Myself: Kurt Weill in America
2005 National Theatre: My Fair Lady
2008 Camelot: Live from Lincoln Center
2021 Mashup
2022 Becoming Benanti: The Role of a Lifetime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.