A work in constant progress (and occasional regress).
Alias:
Anthony Simon
Birthplace:
Bremerton, Washington, USA
Born:
February 5, 1986
Anthony Banua-Simon is an award-winning documentary filmmaker that works professionally as a freelance video editor. His debut feature documentary, Cane Fire, was an official selection of the 2020 Hot Docs International Film Festival. His films have also screened at venues such as the Brooklyn Museum and MoMA PS1, as well as featured on the websites MUBI, Filmmaker Magazine, and Hyperallergic. Anthony attended The Evergreen State College and was a fellow at the UnionDocs Collaborative Studio Program. He's currently a member of the volunteer-run Spectacle Theater in Brooklyn, NY.
Assistant Editor:
2019 Killing Time with Lizzie Boredom
Cinematography:
2019 Killing Time with Lizzie Boredom
2020 Cane Fire
Co-Editor:
2019 Killing Time with Lizzie Boredom
2020 Cane Fire
2020 Halpate
Director:
2014 Third Shift
2018 Pure Flix and Chill: The David A.R. White Story
2019 Killing Time with Lizzie Boredom
2020 Cane Fire
2020 Halpate
2022 Eat up, Bear!
Editor:
2014 Third Shift
2018 Pure Flix and Chill: The David A.R. White Story
2019 Killing Time with Lizzie Boredom
2020 Cane Fire
2020 Halpate
2022 Eat up, Bear!
Producer:
2014 Third Shift
2018 Pure Flix and Chill: The David A.R. White Story
2019 Killing Time with Lizzie Boredom
2020 Cane Fire
2020 Halpate
2022 Eat up, Bear!
Writer:
2014 Third Shift
2018 Pure Flix and Chill: The David A.R. White Story
2019 Killing Time with Lizzie Boredom
2020 Cane Fire
2020 Halpate
2022 Eat up, Bear!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.