A work in constant progress (and occasional regress).
Birthplace:
Berlin, Germany
Born:
January 27, 1900
Died:
August 18, 1949
Camera Operator:
1923 I.N.R.I. – A Film of Humanity
1935 Liselotte of the Palatinate
Director of Photography:
1923 I.N.R.I. – A Film of Humanity
1924 Husbands or Lovers
1925 A Midsummer Night's Dream
1926 Der Hauptmann von Köpenick
1926 Frauen und Banknoten
1926 Marriage Announcement
1927 Berlin: Symphony of a Great City
1927 Liebe geht seltsame Wege
1928 Ghosts Before Breakfast
1929 Everything Turns, Everything Revolves
1929 Melody of the World
1929 Morgenröte
1930 Fire in the Opera House
1930 The Alluring Goal
1930 The Land of Smiles
1930 The White Devil
1930 Wie werde ich reich und glücklich?
1931 In the Night
1931 Mädchen in Uniform
1931 The Soaring Maiden
1931 The Thirteen Trunks of Mr. O.F.
1932 Five from the Jazzband
1932 Here's Berlin
1932 Spione im Savoy-Hotel
1932 The Bartered Bride
1932 The Rebel
1933 A Song Goes Round the World
1933 Es war einmal ein Musikus
1933 Moral und Liebe
1933 The Flower of Hawaii
1934 My Song Goes Round the World
1934 The Prodigal Son
1934 Trouble with Jolanthe
1935 Liselotte of the Palatinate
1936 If We All Were Angels
1937 Gabriele eins, zwei, drei
1937 Togger
1937 Zweimal zwei im Himmelbett
1938 Andalusische Nächte
1938 Carmen la de Triana
1938 Der Maulkorb
1938 The Four Companions
1939 Das Wort aus Stein
1940 Der liebe Augustin
1940 Herz – modern möbliert
1940 Wie konntest Du, Veronika!
1941 Der Gasmann
1941 Tanz mit dem Kaiser
1942 Hab’ mich lieb!
1942 Viel Lärm um Nixi
1945 The Brothers Noltenius
1949 Träum’ nicht, Annette!
1951 Eyes of Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.