A work in constant progress (and occasional regress).
Alias:
郭憲聰
VFX Supervisor:
2022 The Post-Truth World
2023 Hello Ghost!
2023 Salli
2023 The Pig, the Snake and the Pigeon
2024 18×2 Beyond Youthful Days
2024 Breaking and Re-entering
2024 Pierce
2024 Suffocating Love
2025 Lovesick
2025 Where the River Flows
Visual Effects Supervisor:
2020 Sent From Above
2021 ME
2021 The Soul
2021 Treat or Trick
2022 The Post-Truth World
2023 Hello Ghost!
2023 Salli
2023 The Pig, the Snake and the Pigeon
2024 18×2 Beyond Youthful Days
2024 Boys on the Bridge
2024 Breaking and Re-entering
2024 Dead Talents Society
2024 Pierce
2024 Suffocating Love
2025 Lovesick
2025 Where the River Flows
VFX Supervisor:
2020 Detention
2020 The Victims' Game
2024 Born for the Spotlight
Visual Effects Supervisor:
2020 76 Horror Bookstore
2020 Detention
2020 The Victims' Game
2022 Mad Doctor
2024 Born for the Spotlight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.