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Catarina Gonçalves

Biography from TheMovieDB

Catarina Gonçalves was born in 1999, on the São Miguel island (Azores), and is in love with storytelling. She has a bachelor’s degree in sound and image by the School of Arts of the Catholic University of Porto and her work has already been exhibited at the Military Museum of the Azores, the Carlos Machado Museum (Azores), the Luca School of Arts (LUCA) in Ghent (Belgium), the Mayday Festival (also in Ghent) and the European Media Art Festival (EMAF) in Osnabruck (Germany). She volunteered as a videographer in the Porto Femme International Film Festival, Queer International Film Festival and the Beast International Film Festival. She collaborated in the production of the film “The Happiest Man” by Sofia Caetano in 2019. During 2020 and 2021 she will be working as resident artist at the Festival of Arts – Walk and Talk.

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Additional information:

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Film Production

Director:
2020  Hands of Silver
2023  Até Que Tenha Fôlego
2023  MÁTRIA
2023  Mátria

Editor:
2019  Se na floresta um sopro
2020  Hands of Silver
2023  Até Que Tenha Fôlego
2023  MÁTRIA
2023  Mátria

Line Producer:
2019  Se na floresta um sopro
2020  Hands of Silver
2023  Até Que Tenha Fôlego
2023  MÁTRIA
2023  Mátria

Production Design:
2019  Se na floresta um sopro
2020  Hands of Silver
2023  Até Que Tenha Fôlego
2023  MÁTRIA
2023  Mátria

Writer:
2019  Se na floresta um sopro
2020  Hands of Silver
2023  Até Que Tenha Fôlego
2023  MÁTRIA
2023  Mátria

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.