A work in constant progress (and occasional regress).
Alias:
Yvette Montagnon
Birthplace:
Suresnes, Hauts-de-Seine, France
Born:
May 31, 1924
Died:
April 24, 1967
Ida Presti (31 May 1924 – 24 April 1967) was a French classical guitarist and composer. She first came to prominence as a child prodigy, before maturing into what Alice Artzt has called "the greatest guitarist of the 20th century, and possibly of all time." Presti was born Yvette Montagnon in Suresnes, a suburb of Paris, France, to a French father and Sicilian mother. Her father, Claude Montagnon, was her first teacher, and he thought that "Ida Presti" sounded better than 'Yvette Montagnon' (Presti came from her mother's name, Olga-Gracia Lo Presti). She also studied harmony and music theory with guitarist and luthier Mario Maccaferri. Presti played in public for the first time when she was eight, and gave her first full-length concert at the age of ten, on 28 April 1935 at the Salle Pleyel in Paris. Lauded for her prodigious talent by her teachers and contemporaries, she recorded for the French arm of the HMV record label in 1937. While still under twelve, she played at the Pasdeloup concerts and the Société des Concerts du Conservatoire for two consecutive years. At age 14, she appeared in the 1938 film La Petite Chose as a guitar player in a supporting role and, as a 16-year-old, she played Paganini's guitar during a commemoration of the centennial of his death in 1940. On 16 September 1948, Presti gave the French premiere of Rodrigo's Concierto de Aranjuez, which was broadcast on radio from Paris and also carried on several other continental stations. She gave her first recital in London on 1 December 1951, The Times noting "her truly astonishing right hand dexterity and her lively temperament." After a recital the following year, The Times commented, "When Miss Ida Presti, a young French guitarist, made her English début last autumn it was her prestidigitation that lingered in the memory. Her reappearance early in the week at Wigmore Hall confirmed this first impression of brilliance but also gave further evidence of sterling musicianship." After her second marriage, to the guitarist Alexandre Lagoya, she stopped performing as a solo artist and formed the Duo Presti-Lagoya with him, concentrating on works for two guitars. The two formed one of the most accomplished classical guitar duos in history, performing over 2,000 concerts. A number of composers wrote works for the duo, including: Mario Castelnuovo-Tedesco: Sonatina canonica, Op. 196 (1961); Les Guitares bien tempérées, Op. 199 (1962); Concerto for Two Guitars and Orchestra, Op. 201 (1962). In addition, Castelnuovo-Tedesco wrote Fuga elegiaca (1967) on the occasion of Ida Presti's death, following a request by John W. Duarte. Jean-Yves Daniel-Lesur: Élégie (1956). Pierre Petit: Tarantelle (1959); Toccata (1959). Joaquín Rodrigo: Tonadilla (1959). Rodrigo finished another piece for two guitars, the Concierto Madrigal, in 1966, but Presti died before she and Lagoya could perform it. Angel and Pepe Romero subsequently gave the first performance of it in July 1967. Pierre Wissmer: Prestilagoyana (1969). At the age of 19, Presti married Henry Rigaud (sometimes spelled Rigo) in 1943, and they had a daughter the following year. She met the classical guitarist Alexandre Lagoya in 1951, and a year later they married. ... Source: Article "Ida Presti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.