A work in constant progress (and occasional regress).
Alias:
Maxi Wendler
Cinematography:
2022 Rhino
Color Grading:
2020 El caníbal
2022 Rhino
Colorist:
2020 El caníbal
2022 Rhino
Digital Imaging Technician:
2020 El caníbal
2022 Rhino
2023 Norma
Editor:
2020 El caníbal
2020 The March
2022 Rhino
2023 La alegoría de la cueva
2023 Norma
Electrician:
2016 The Black Frost
2017 El silencio
2020 El caníbal
2020 The March
2022 Rhino
2023 La alegoría de la cueva
2023 Norma
Gaffer:
2016 The Black Frost
2017 Cauce
2017 El silencio
2018 Air
2020 El caníbal
2020 The March
2022 Rhino
2023 La alegoría de la cueva
2023 Norma
2024 El infierno de los vivos
Lighting Manager:
2016 The Black Frost
2017 Cauce
2017 El silencio
2018 Air
2018 Packing Heavy
2020 El caníbal
2020 The March
2022 Rhino
2023 La alegoría de la cueva
2023 Norma
2024 El infierno de los vivos
Lighting Technician:
2016 The Black Frost
2017 Cauce
2017 El silencio
2018 Air
2018 Packing Heavy
2020 El caníbal
2020 The March
2022 Rhino
2023 La alegoría de la cueva
2023 Norma
2024 El infierno de los vivos
VFX Editor:
2016 The Black Frost
2017 Cauce
2017 El silencio
2018 Air
2018 Packing Heavy
2020 El caníbal
2020 The March
2021 Mañana tal vez
2022 Rhino
2023 La alegoría de la cueva
2023 Norma
2024 El infierno de los vivos
Assistant Camera:
2015 Habitación 13
Editor:
2015 Habitación 13
2016 Braulio y el Milenario Tesoro... de Jugar!
2020 Animalia
Electrician:
2015 Habitación 13
2016 Braulio y el Milenario Tesoro... de Jugar!
2020 Animalia
Gaffer:
2015 Habitación 13
2016 Braulio y el Milenario Tesoro... de Jugar!
2020 Animalia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.