A work in constant progress (and occasional regress).
Sound:
2019 O Que as Mulheres Querem?
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2020 Fragmentos ao Vento: 1945
2023 Caixa Preta
2023 Em Uma Noite Qualquer
Sound Designer:
2017 A Margem
2017 Ecos
2019 O Que as Mulheres Querem?
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2020 Fragmentos ao Vento: 1945
2020 Macabre Night
2020 Trapaça
2023 Caixa Preta
2023 Em Uma Noite Qualquer
Sound Director:
2017 A Margem
2017 Ecos
2018 À Sombra
2019 O Que as Mulheres Querem?
2019 On The Edge
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2020 Fragmentos ao Vento: 1945
2020 Macabre Night
2020 Trapaça
2023 Caixa Preta
2023 Em Uma Noite Qualquer
Sound Mixer:
2017 A Margem
2017 Ecos
2018 À Sombra
2019 O Que as Mulheres Querem?
2019 On The Edge
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2020 Fragmentos ao Vento: 1945
2020 Macabre Night
2020 Trapaça
2023 Caixa Preta
2023 Em Uma Noite Qualquer
Sound Recordist:
2015 Madrepérola
2017 A Margem
2017 Ecos
2018 À Sombra
2019 O Que as Mulheres Querem?
2019 On The Edge
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2020 Fragmentos ao Vento: 1945
2020 Macabre Night
2020 Trapaça
2022 As Mil Palavras de Giacomo Geremia
2023 Caixa Preta
2023 Em Uma Noite Qualquer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.