A work in constant progress (and occasional regress).
Art Direction:
2019 Enemies
2019 Hot Filadelfia
2019 O Que as Mulheres Querem?
2019 On The Edge
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2019 Sala 12
2020 Férias do Barulho
2020 Mulheres Bem Resolvidas
2021 A Sombra do Medo
2021 Alone
2021 Feliz Cano Novo
2021 The Video Call
2022 As Mil Palavras de Giacomo Geremia
2022 Crisis in the Dark
2023 Caixa Preta
2023 Confinados
2023 Em Uma Noite Qualquer
2023 Lenda Urbana
2023 O Assalto
2023 O Tesouro Perdido
2023 Seres de Argila.
2023 Vértices
2024 A Noiva
2024 O Ritual
???? A Despedida
Costumer:
2019 Enemies
2019 Girassol
2019 Hot Filadelfia
2019 O Que as Mulheres Querem?
2019 On The Edge
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2019 Sala 12
2020 Férias do Barulho
2020 Mulheres Bem Resolvidas
2021 A Sombra do Medo
2021 Alone
2021 Feliz Cano Novo
2021 The Video Call
2022 As Mil Palavras de Giacomo Geremia
2022 Crisis in the Dark
2023 Caixa Preta
2023 Confinados
2023 Em Uma Noite Qualquer
2023 Lenda Urbana
2023 O Assalto
2023 O Tesouro Perdido
2023 Seres de Argila.
2023 Vértices
2024 A Noiva
2024 O Ritual
???? A Despedida
Directing Lighting Artist:
2019 Enemies
2019 Girassol
2019 Hot Filadelfia
2019 O Que as Mulheres Querem?
2019 On The Edge
2019 Posso te Pedir Uma Coisa?
2019 Proibido Para Meninos
2019 Sala 12
2020 Férias do Barulho
2020 Mulheres Bem Resolvidas
2020 Trapaça
2021 A Sombra do Medo
2021 Alone
2021 Feliz Cano Novo
2021 The Video Call
2022 As Mil Palavras de Giacomo Geremia
2022 Crisis in the Dark
2023 Caixa Preta
2023 Confinados
2023 Em Uma Noite Qualquer
2023 Lenda Urbana
2023 O Assalto
2023 O Tesouro Perdido
2023 Seres de Argila.
2023 Vértices
2024 A Noiva
2024 O Ritual
???? A Despedida
Art Direction:
2022 Álbum de Família
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.