A work in constant progress (and occasional regress).
Alias:
Bob Nguyen ACS
Birthplace:
Ho Chi Minh City, Vietnam
Born:
July 15, 1990
Bob Nguyen is an accredited member of Australian Cinematographer’s Society. He has always had a great passion for moving images. Bob attended Swinburne University in 2008. During his years at Swinburne, Bob had the opportunity to learn from many great cinematographers, especially Ellery Ryan ACS, who sparked Bob’s interests in cinematography. After shooting his first project on super 16mm. Bob soon realized the originality of shooting in film is far more satisfying. He said: “When I saw the prints for the first time, I saw magic, and I told myself I would not stop.” Bob Nguyen began working as a professional Director of Photography in 2011 when he shot his first feature film in Australia. A year later he moved to Los Angeles to pursue his dream of working with celluloid film. Having shot many projects on 35mm and 16mm films after the first few years in LA, Bob quickly became one of the young cinematographers versed and loyal to the original medium of motion picture in town. Bob also picked up a Master Degree in Cinematography and received a prize sponsored by Panavision LA for his 35mm feature film. From 2015 on, Bob Nguyen has been shooting feature films exclusively and collaborating with directors from various backgrounds. Those projects had taken him to work internationally, especially Europe and Asia. After working on feature film in Thailand and Canada, It totally changed his mind-set and approach about creating pictures. Bob decided to take on an adventure to explore new cultures and materials. In 2016 Bob Nguyen shot his first Vietnamese feature film ‘Sut’, followed by ‘Song Lang’ in 2018, which has received over 30 awards internationally. Bob won Gold Award in the coveted Features Cinema category and also the Judges' Choice at the ACS Victoria Tasmania State awards in 2018. He then went on to win the Golden Tripod and the prestigious Milli Award for Cinematographer of the Year 2019 at the recent National Awards from Australia Cinematographer’s Society. Even though Bob Nguyen was trained to shoot on film, giving him a very solid foundation in the principles of cinematography, but all flavors of format mediums appeal to him. Bob enjoys different visual mediums that best translate each story's unique concept. Having those experiences allows him to work in an extensive range of shooting styles, scales and conditions.
Camera Operator:
2014 Preying for Mercy
Director of Photography:
2013 The Summit
2014 Preying for Mercy
2016 She Has a Name
2016 Sút
2018 Song Lang
2018 The Perfect Host: A Southern Gothic Tale
2019 Sister Sister
2020 Anonymous Killers
2020 À La Carte
2021 Faded
2022 In the Forest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.