A work in constant progress (and occasional regress).
Alias:
زياد الرحباني
Birthplace:
Antelias, Lebanon
Born:
January 1, 1956
Lebanese composer, songwriter, singer, playwright, journalist and director. He began composing since he was six years old. He also composed his first song for for his mother, Fairouz, at only seventeen years old. Ever since, Ziad began working with his mother and the Rahbani family in their theatrical works at that time, then he also began writing and directing his own plays, which began to bear his own mark and his political and social views, which include (سهرية، نزل السرور، بالنسبة لبكرا شو، فيلم أمريكي طويل، شيء فاشل، بخصوص الكرامة والشعب العنيد). He's also written and composed several songs for Fairouz (البوسطة، عندي ثقة فيك، سلم لي عليه، إيه في أمل), and has taken part in several radio shows (العقل زينة، ياه ما أحلاكم، نص الألف 500) Ziad's first artistic work was "Sadiqi Allah" (My Friend God), a collection of writings between the years 1967 and 1968 when he was in his teens. In 1973, at age 17, Rahbani composed his first music for Fairuz. Assi Rahbani, his father, was hospitalized and his mother Fairuz was to play the leading role in Al Mahatta by the Rahbani brothers. Mansour Rahbani, his uncle, who had written the lyrics of a song about Assi Rahbani's forced absence, gave Ziad the task of composing its music. The song "Saalouni El Nass" (People Asked Me) gained Ziad recognition.
Director:
1978 What About Tomorrow?
1980 American Motion Picture
Music:
1978 What About Tomorrow?
1979 Nahla
1980 American Motion Picture
Original Music Composer:
1978 What About Tomorrow?
1979 Nahla
1980 American Motion Picture
2004 The Kite
Writer:
1978 What About Tomorrow?
1979 Nahla
1980 American Motion Picture
2004 The Kite
Music:
1986 El Ostaz Mamnoue
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.