A work in constant progress (and occasional regress).
Alias:
Наталія Ільчук
Since 2006 Nataliya Ilchuk has been making short films, documentaries and videos in which she explores the theme of individual identity and collective historical memory against the background of different social and cultural discourses. Her personal experience is based on the movement between Eastern and Western Europe, life in socialist and capitalist societies, but also the transition from analogue to digital media, the pre- and post-internet era. She perceives the movement between different political, social, and cultural paradigms as leading to the necessity to revise previous experiences and to seek a new orientation in a society that has no relation to the lived past. Ilchuk's works explore the phenomena of processes of social change and their impact on individuals through constructed fictional narratives made up of footage from personal archives, specific historical references, interweaving the past with the present in non-linear time.
Cinematography:
2019 Maternity
2020 Signs
Director:
2019 Maternity
2020 Signs
2021 Kitchen.Blend
2021 Sensitive Material
2022 Questionnaire
2023 The Seventh Shift
2024 Clubbing
Director of Photography:
2019 Maternity
2020 Signs
2021 Kitchen.Blend
2021 Sensitive Material
2022 Questionnaire
2023 The Seventh Shift
2024 Clubbing
Editor:
2019 Maternity
2020 Signs
2021 Kitchen.Blend
2021 Sensitive Material
2022 Questionnaire
2023 The Seventh Shift
2024 Clubbing
Production Design:
2019 Maternity
2020 Signs
2021 Kitchen.Blend
2021 Sensitive Material
2022 Questionnaire
2023 The Seventh Shift
2024 Clubbing
Screenplay:
2019 Maternity
2020 Signs
2021 Kitchen.Blend
2021 Sensitive Material
2022 Questionnaire
2023 The Seventh Shift
2024 Clubbing
Sound:
2019 Maternity
2020 Signs
2021 Kitchen.Blend
2021 Sensitive Material
2022 Questionnaire
2023 The Seventh Shift
2024 Clubbing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.