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Ana Tapia Rousiouk (b. 1993)

Alias:
Ana Polina Tapia Rousiouk

Birthplace:
Québec, Canada

Born:
January 1, 1993

Biography from TheMovieDB

Ana Polina Tapia Rousiouk (born 1993; Québec) is a composer, editor, sound designer and director of Ecuadorian and Ukrainian origin. She has made independent work exploring sound and listening. In 2014, she directed her first documentary film, Les pratiquants, an exploration of meaning in the ritual aspects of playing a musical instrument, as seen through the students at the Vincent-d'Indy music academy. She co-directed her debut feature film, Le rêve et la radio/The Dream and the Radio (2022), with Renaud Després-Larose, world premiere at International Film Festival Rotterdam 2022.

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Additional information:

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Film Performances

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Film Production

Director:
2014  Les pratiquants
2020  Exercice de déconfinement n°1
2022  The Dream and the Radio

Director of Photography:
2014  Les pratiquants
2020  Exercice de déconfinement n°1
2022  The Dream and the Radio

Editor:
2014  Les pratiquants
2020  Exercice de déconfinement n°1
2022  The Dream and the Radio

Original Music Composer:
2014  Les pratiquants
2020  Exercice de déconfinement n°1
2020  There Are No False Undertakings
2022  The Dream and the Radio

Screenplay:
2014  Les pratiquants
2020  Exercice de déconfinement n°1
2020  There Are No False Undertakings
2022  The Dream and the Radio

Sound:
2014  Les pratiquants
2016  The Art of Speech
2018  Waiting for April
2020  Exercice de déconfinement n°1
2020  There Are No False Undertakings
2021  Une étrange invitation
2022  The Dream and the Radio

Sound Editor:
2014  Les pratiquants
2016  The Art of Speech
2018  Waiting for April
2020  Exercice de déconfinement n°1
2020  There Are No False Undertakings
2021  Une étrange invitation
2022  The Dream and the Radio

Sound Recordist:
2014  Les pratiquants
2016  The Art of Speech
2018  Waiting for April
2020  Exercice de déconfinement n°1
2020  There Are No False Undertakings
2021  Dracula Sex Tape
2021  Une étrange invitation
2022  The Dream and the Radio

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.