A work in constant progress (and occasional regress).
Birthplace:
Bern, Switzerland
Born:
September 22, 1989
Yannick Mosimann is an experimental filmmaker, sound artist, and photographer from Bern, Switzerland. Mosimann's body of work encompasses films, video/audio installations and collaborative projects with diverse artists as a filmmaker and musician. His artistic focus lies in intuitive processes, sensorial experiences, and the reimagining of narratives. Themes explored in his work include the anthropocene, nature, cosmology, darkness, and human perception.
Director:
2015 How i disappeared
2018 Our Ears are in excellent condition
2020 Amnis Alsace
2020 Borametz
2020 Diaphone Island
2020 Nature.Meadow.Sky.Long Shot
2020 Piz Regolith
2020 Recreational Forest
2021 It lays on us
2021 Notes of Forms
2022 A shattered mountain
2022 I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
2022 Mitzukos Dream
2022 Scenes from an Island
2022 Sunspots
2022 They witness time in longer intervalls
2023 Four Roses
2023 Here are some Images
2023 Normal Love
2024 Come out of your shell
2025 Things many have eyes seen
???? Haelgung - LeoniLeoni
???? Haelgung - Rea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.