A work in constant progress (and occasional regress).
Birthplace:
Rome, Italy
Born in Rome in 1982, Silvia Bellotti is a video journalist. She began her career in Palermo where she worked with Il Fatto Quotidiano.it and I Quaderni de L'Ora, a monthly publication founded by reporters from L’Ora, the historic anti-mafia newspaper. In 2012 she was recipient of the first Generazione Reporter prize – the competition for young journalists set up by Michele Santoro – for the video investigation "Trattativa? Niente sacciu" on the murky part played by the State in the massacres of '92-'93. In 2013 she was a finalist in the Morrione Award, part of the Ilaria Alpi Awards, with the video investigation “Che fine ha fatto la roba dei boss” (What happened to the bosses’ stuff) on the inefficient management of assets confiscated from the Mafia. She moved to Naples in 2014 to take part in the first edition of FilmaP - Atelier di Cinema del Reale overseen by Leonardo Di Costanzo. The two films that resulted were "Il foglio", a tragicomic documentary short on the Inland Revenue Agency, shown in competition at the Torino Film Festival 2015, and "Open to the Public," her first feature-length film documentary on the employees of the Public Housing Institute of Naples. This film took the Audience Award at the Festival dei Popoli in Florence 2017 for the "Italian Film” category.In 2017 she worked with the children of the Magarotto Special School for the Deaf to make a short film called "La scuola del sorriso” (The School of the Smile), based on the true story of one of the pupils there. The film won the Jury Grand Prix at the Festival Sourd Métrage di Nancy (France). (http://apertialpubblicoilfilm.parallelo41produzioni.com/en/the-crew.html)
Cinematography:
2018 Open to the Public
Director:
2018 Open to the Public
Writer:
2018 Open to the Public
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.