A work in constant progress (and occasional regress).
Birthplace:
Evansville, Indiana, USA
Born:
September 4, 1901
Died:
May 12, 1988
Paul Osborn (September 4, 1901 – May 12, 1988) was an American playwright and screenwriter. Osborn's original plays are The Vinegar Tree, Oliver Oliver, and Morning's at Seven and among his several successful adaptations, On Borrowed Time has proved particularly popular. He wrote the screenplays for East of Eden (1955) and South Pacific (1958), among other films. Description above from the Wikipedia article Paul Osborn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adaptation:
1960 The World of Suzie Wong
Additional Writing:
1942 Tortilla Flat
1960 The World of Suzie Wong
Screenplay:
1938 The Young in Heart
1942 Tortilla Flat
1943 Cry 'Havoc'
1943 Madame Curie
1946 The Yearling
1948 Portrait of Jennie
1952 Invitation
1955 East of Eden
1957 Sayonara
1958 South Pacific
1960 The World of Suzie Wong
1960 Wild River
Theatre Play:
1933 Should Ladies Behave
1938 The Young in Heart
1939 On Borrowed Time
1942 Tortilla Flat
1943 Cry 'Havoc'
1943 Madame Curie
1946 The Yearling
1948 Portrait of Jennie
1952 Invitation
1955 East of Eden
1957 On Borrowed Time
1957 Sayonara
1958 South Pacific
1960 The World of Suzie Wong
1960 Wild River
Writer:
1933 Should Ladies Behave
1938 The Young in Heart
1939 On Borrowed Time
1942 Tortilla Flat
1943 Cry 'Havoc'
1943 Madame Curie
1946 The Yearling
1948 Homecoming
1948 Portrait of Jennie
1952 Invitation
1955 East of Eden
1957 On Borrowed Time
1957 Sayonara
1958 South Pacific
1960 The World of Suzie Wong
1960 Wild River
1982 Morning's at Seven
Theatre Play:
1955 The Alcoa Hour
Writer:
1955 The Alcoa Hour
1959 Play of the Week
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.