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Ana Songel

Alias:
Ana Songel Garcia

Birthplace:
Spain

Biography from TheMovieDB

Ana Songel is an award-winning stop-motion director and animator based in Glasgow, Scotland. Two years ago Ana was selected by the micro-budget film scheme "Little Pictures" run by GMAC Film and Screen Scotland to make her first commissioned stop motion I MISS HUGS, which has recently screened in BAFTA and Oscar-qualifying film festivals. She is currently building her portfolio as a freelance animator and developing her next stop motion film called BEATLESS, through the Screen Scotland-funded scheme Sharp Shorts. Her work explores big feelings told through animated metaphors inspired by her own experiences, surroundings, and nature.  She also loves creating fun colorful stop-motion content for local and international brands and helps them convey their unique message through bespoke animations!

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Additional information:

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Film Production

Art Department Assistant:
2021  The Wolf Suit

Director:
2019  Look Up
2019  White Smoke
2021  I Miss Hugs
2021  The Wolf Suit

Production Assistant:
2019  A Gorbal's Story
2019  Look Up
2019  White Smoke
2021  I Miss Hugs
2021  The Wolf Suit

Writer:
2019  A Gorbal's Story
2019  Look Up
2019  White Smoke
2021  I Miss Hugs
2021  The Wolf Suit

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.