A work in constant progress (and occasional regress).
Ronald Baez is a Caribbean-American screenwriter, director, and award-winning immersive media artist from Miami, FL. His current and previous short film projects continue to screen at film festivals worldwide including HBO’s New York Latino Film Festival, the Inside Out Toronto LGBT Film Festival, the Miami Film Festival, the Borscht Film Festival, and The Norton Museum of Art. Several of Baez’s short film projects would ultimately be distributed for national television broadcast by PBS as well as on Apple TV & Roku by Seed&Spark SVOD. Baez's award-winning immersive media projects have been exhibited at the 2020 MIT Reality Hack XR Hackathon, the Florida Museum of National History, and the National Association of Broadcasters Conference (NAB Show). Baez was awarded the NAB Futures Innovator's Award in 2019 for his ongoing VR projects in collaboration with the University of Florida MET Lab. Baez continues to work with organizations and institutions like National Geographic, the University of Florida, the New World Symphony, the Sea Turtle Conservancy, and the Knight Foundation on a variety of immersive media projects. In addition to his work as a filmmaker and immersive media artist, Baez is a founding member of the White Elephant Group, a Miami-based filmmaking collective, and also serves as the Artistic Director of the After School Film Institute, a nonprofit organization mentoring at risk, inner-city students in South Florida.
Director:
2019 A Postcard to Nina
2021 Searching for Ana Veldford
Editor:
2019 A Postcard to Nina
2021 Searching for Ana Veldford
2024 You Were Never Really Here
Executive Producer:
2019 A Postcard to Nina
2021 Searching for Ana Veldford
2023 El Reggaetonero
2023 Konpa
2024 Boat People
2024 You Were Never Really Here
Producer:
2019 A Postcard to Nina
2021 Searching for Ana Veldford
2023 El Reggaetonero
2023 Konpa
2023 Razing Liberty Square
2024 Boat People
2024 You Were Never Really Here
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.