A work in constant progress (and occasional regress).
Bruno Varela is an audiovisual artist, researcher and self-taught film and video producer. His works, located mainly in the geographical and conceptual south, have appeared in museums and festivals such as the Guggenheim Museum (New York), Getty Research Institute (Los Angeles), the Carrillo Gil Art Museum (CDMX), the Oberhausen International Short Film Festival (Germany), the Ann Arbor Film Festival (USA), the Morelia International Film Festival and FICUNAM. Varela has received awards such as the e-flux Award of the Oberhausen Festival (2015), the Media Artist award of the Rockefeller Foundation (2006) and the award for best work at the Festival Geografías Suaves (2002), as well as honorable mentions by FICUNAM (2012) and the Biennial of Experimental Video of Mexicali, B.C. (2007, 2012). In 2019 he was a member of the National System of Art Creators (SNCA).
Director:
2003 Papeles secundarios
2005 Insolación
2008 Conjuro
2012 Ráfaga
2013 A-K-Pulco
2013 Estela
2013 Parque Colosio
2014 Colisión
2015 Fauna Nociva
2015 La transparencia
2015 Tzompantli
2015 Volatilidad
2016 Materia Oscura
2018 Desintegración
2018 Los cuerpos indóciles
2019 Videogramas meridianos 1 (prediccionarias)
2019 Videogramas meridianos 2 (hemisferios)
2019 Videogramas meridianos 3
2020 La imagen no está (buscar imagen con otra imagen)
2020 Neon Cortex
2020 cada vuelta que da una cosa enrollada alrededor de otra
2021 Cristales Neón
2021 Doble estenopo
2021 Motor Cortex
2022 Cuerpos Complementarios
2022 Mexican Erotica
2022 Neon Spores
2022 Objetos blancos
2022 Perturbación y reflejo
2023 El Prototipo
2023 presentes impuros (la luz espesada)
2024 Cuadrado de los tiempos
2024 La máquina del futuro
2024 Trans-apariencia-estéreo-voodoo
2025 Polen Negro
???? La ranura en el tiempo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.