A work in constant progress (and occasional regress).
Alias:
Pablo MZ
Birthplace:
Mexico City, Mexico
Artist and researcher. Professor at the Communications Department of Iberoamericana University, where he coordinates the photography lab and is head of the Master in Film programme. Pablo’s work bridges memory, territory and identity through film, photography, multimedia and writing. He has exhibited individually at Laboratorio Arte Alameda, Interactive Museum of Economics, Spain’s Cultural Center in Mexico and Mexico’s National Museum of Art. Amongst his films are Ciudad Merced (2013), La Película (2014), So Much Light (2015) and The Monopoly of Memory (2018). His multimedia work includes pieces such as the web-documentaries Santos Diableros & Momento MX , and the interactive poem and installation Poema Panorama. His films have been screened in over 10 countries, he has published novel, poetry and essay, being his most recent book The Powers of the Image: Body and Death in the Audiovisual Culture (Ibero, 2018). He has received awards in Brazil, India, USA and Mexico. Since 2014, he is partner of longtime filmmaker Gregorio Rocha in a film preservation and lab-museum called Anarchivia, located in the world famous Estudios Churubusco. He has published novel, poetry and essay, and writes for magazines and websites in Mexico and abroad. In 2016, as professor at Ibero University, he founded the Laboratorio Iberoamericano de Documental (Iberoamerican Documentary Lab), which he heads since. He has been guest lecturer and speaker at EICTV Cuba, University of Southern California, Emerson College Boston, Zurich University of the Arts, University of Copenhagen, among others . He is a member of the Iberoamerican Chair in Transmedia Narratives and of the Memory Studies Association. He holds an MSc. by Research in Digital Media and Culture by the University of Edinburgh and a PhD in Media by Universidad Iberoamericana.
Cinematography:
2012 Tacuba 8. Palacio y Museo
Director:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Director of Photography:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Editor:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Producer:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Screenplay:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Sound Designer:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Writer:
2012 Tacuba 8. Palacio y Museo
2013 Ciudad Merced
2014 La Película
2015 Susurros del Panteón
2015 Tanta Luz
2018 El Monopolio de la Memoria
2018 SOS MX
2022 La memoria se filtró por una grieta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.