A work in constant progress (and occasional regress).
Birthplace:
Munich, Bavaria, Germany
Born:
June 2, 1927
Died:
September 18, 2015
Thea Eymèsz was a well regarded editor. Her career in film began in the early 1960s in the animation studios of Bavaria film, and she went on to edit numerous reportages and industry films. In 1968 she met Peer Raben by chance. When Raben later mixed up the film reels of GODS OF THE PLAGUE during postproduction, it was Eymèsz who stepped in, restoring order and restructuring the film. Fassbinder was highly impressed by her achievement and, as a result, the two entered into a long and fruitful collaboration. It produced 15 films, including such diverse works as BEWARE OF A HOLY WHORE, FEAR EATS THE SOUL and SATAN’S BREW. Along with these collaborations, Eymèsz also left her mark on the German film and television landscape in other projects. She not only worked with well-known directors such as Hanns Christian Müller, Uli Lommel and Helmut Dietl but also proved herself flexible in dealing with different formats. This is witnessed by her work for television and her openness to documentary cinema – for example, she edited several films for the renowned director Erwin Leiser (FEUERPROBE (The Ordeal) – NOVEMBER POGROM 1938). Her final work as an editor, on Shazbaz Noshir’ s ANGST ISST SEELE AUF (Fear Eats Souls), reconnected her once again with one of her most successful projects with Fassbinder.
Editor:
1970 The American Soldier
1970 The Niklashausen Journey
1971 Beware of a Holy Whore
1971 Pioneers in Ingolstadt
1971 Rio das Mortes
1971 Whity
1972 The Bitter Tears of Petra von Kant
1972 The Merchant of Four Seasons
1973 Jail Bait
1973 Tenderness of the Wolves
1974 Ali: Fear Eats the Soul
1974 Effi Briest
1975 Fox and His Friends
1975 Mother Küsters Goes to Heaven
1976 Satan’s Brew
1977 Adolf and Marlene
1978 Hauptmann Kreutzer
1983 Kehraus
1987 The Lie
1993 Maus und Katz
2002 Angst isst Seele auf
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.