A work in constant progress (and occasional regress).
Julius Lechner is a seasoned visual effects supervisor at Scanline, instrumental in delivering compelling visual storytelling on blockbuster movies like The Batman, Spider-Man: Far From Home, Zack Snyder’s Justice League, and Aquaman and the Lost Kingdom. With a solid track record as a CG and Effects Supervisor, Julius has also authored the thesis papers Animating Hair and Fur and GPU-Based Visual Effects. His experience includes stints at ILM and Pixomondo, where he worked on high-profile IPs such as Power Rangers, Teenage Mutant Ninja Turtles, and Star Trek Into Darkness. Information above via their homepage. Description above from the Wikipedia article Dan Lemmon, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Digital Effects Supervisor:
2018 Aquaman
Visual Effects Supervisor:
2018 Aquaman
2021 Zack Snyder's Justice League
2022 The Batman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.