A work in constant progress (and occasional regress).
Jack Christian is a multi-award winning, two time Emmy nominated film and television producer, writer and director. Jack is CEO of production and finance company Filmology Finance which has offices in both Los Angeles and Melbourne. Jack Christian's recent productions include the feature films Seriously Red, The Reef: Stalked, Mercy Road, The Infernal Machine, Run Rabbit Run, Nandor Fodor and the Talking Mongoose, as well as the Netflix series Dive Club and Amazon crime series Troppo.
Executive Producer:
2020 Black Water: Abyss
2020 Never Too Late
2021 Great White
2022 Love in Bloom
2022 Seriously Red
2022 The Infernal Machine
2023 Mercy Road
2024 5lbs of Pressure
2024 Arthur's Whisky
2024 Chief of Station
2024 Classified
2024 It Will Find You
2024 Run Rabbit Run
???? Killing Faith
???? Red Rock Run
???? The Florist
Producer:
2020 Black Water: Abyss
2020 Never Too Late
2021 Great White
2022 Love in Bloom
2022 Seriously Red
2022 The Infernal Machine
2022 The Reef: Stalked
2023 Mercy Road
2023 Nandor Fodor and the Talking Mongoose
2024 5lbs of Pressure
2024 Arthur's Whisky
2024 Chief of Station
2024 Classified
2024 It Will Find You
2024 Run Rabbit Run
2024 The Beast Within
???? Dead Guy
???? Everything I Never Did
???? Killing Faith
???? Red Rock Run
???? The First Law
???? The Florist
Consulting Producer:
2012 Conspiracy 365
Creator:
2012 Conspiracy 365
2014 Get Ace
Director:
2012 Conspiracy 365
2014 Get Ace
Executive Producer:
2012 Conspiracy 365
2014 Get Ace
2021 Dive Club
2022 Troppo
Producer:
2012 Conspiracy 365
2014 Get Ace
2021 Dive Club
2022 Troppo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.