Shievar Olegario

Birthplace:
Davao City, Davao Region, Philippines

Shievar Olegario is a multidisciplinary artist and filmmaker. His works revolve around motion design, still, performance art, and film.  His filmmaking career started by being a fellow of the 2019 Story Development Camp of Ngilngig Asian Fantastic Film Festival.  He then made his debut short, “OctoGod” which bagged the Golden Durian Prize for Best Mindanao Short at the Salamindanaw Asian Film Festival 2019 and also won the Best Short Film during the Binisaya Film Festival 2020. The film also exhibited in several film fests such as Cinemalaya 2020 and Cinema Rehiyon 2020.  He seeks on producing collaborative projects, aiming to tell contemporary and significant stories, expressed in a new and hybrid format.

Additional information:

The Search Form


Cinematography:
2022  Memories of Tomorrow

Colorist:
2022  Memories of Tomorrow

Director:
2019  OctoGod
2022  Memories of Tomorrow

Director of Photography:
2019  OctoGod
2022  Memories of Tomorrow

Editor:
2019  OctoGod
2022  Memories of Tomorrow

Executive Producer:
2019  OctoGod
2022  Memories of Tomorrow

Producer:
2019  OctoGod
2022  Ami Ug Migo
2022  Memories of Tomorrow

Sound Designer:
2019  OctoGod
2022  Ami Ug Migo
2022  Memories of Tomorrow

Writer:
2019  OctoGod
2022  Ami Ug Migo
2022  Memories of Tomorrow

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.