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Nicolás Zárate Denis (b. 1993)

Birthplace:
Asunción, Paraguay

Born:
February 15, 1993

Biography from TheMovieDB

Nicolás Zárate Denis has a degree in Filmmaking from Columbia University of Paraguay. He currently works as a freelance editor, director and cinematographer and a college professor at his alma matter. In 2022 he attended the Université d'été of La Fémis (Paris). He has directed several short documentaries, "Palo amargo, jeep, pomelos." (2020) won 1st prize at “Premio Lumière 2020”. In 2022 he coordinated the film debate “Ciclo Máscaras” a selection of films around the concept of other masculinities in contemporary cinema. In September 2023 he joined "El Dinosaurio" as a teacher assistant, a film workshop created by director Paz Encina.

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Additional information:

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Film Production

Cinematography:
????  Home: a Cage

Director:
2020  Palo Amargo, Jeep, Grapefruits
2021  Sometimes I See You
2023  Foraging Love
????  Home: a Cage

Director of Photography:
2020  Palo Amargo, Jeep, Grapefruits
2021  Sometimes I See You
2023  Foraging Love
????  Home: a Cage

Editor:
2020  Palo Amargo, Jeep, Grapefruits
2021  Sometimes I See You
2023  Foraging Love
????  Home: a Cage

Sound Designer:
2020  Palo Amargo, Jeep, Grapefruits
2021  Sometimes I See You
2023  Foraging Love
????  Home: a Cage

Writer:
2020  Palo Amargo, Jeep, Grapefruits
2021  Sometimes I See You
2023  Foraging Love
????  Home: a Cage

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.