A work in constant progress (and occasional regress).
Birthplace:
Italy
Born:
October 28, 1986
Paolo Laganà (they/them), born in Italy on October 28, 1986, is an Italian film director. Their passion for filmmaking began early, leading to the creation of several experimental short films on Super 8. They later lived in Bucharest, Romania, contributing to numerous films, including those by Radu Jude, Corneliu Porumboiu, and Andrei Gruzsniczki. Paolo lives and works in Berlin, where they studied at the German Film and Television Academy Berlin (DFFB). Their artistic practice centers on queer culture, exploring themes of identity and abandonment.
Assistant Director:
2013 When Evening Falls on Bucharest or Metabolism
Assistant Production Manager:
2012 Everybody in Our Family
2013 When Evening Falls on Bucharest or Metabolism
Casting Director:
2012 Everybody in Our Family
2013 Quod erat demonstrandum
2013 When Evening Falls on Bucharest or Metabolism
Cinematography:
2010 Reconstruction of an Encounter
2012 Everybody in Our Family
2013 Missing Fragments of a Murder
2013 Quod erat demonstrandum
2013 When Evening Falls on Bucharest or Metabolism
2021 Expectations
Director:
2010 Reconstruction of an Encounter
2012 Everybody in Our Family
2013 Missing Fragments of a Murder
2013 Quod erat demonstrandum
2013 When Evening Falls on Bucharest or Metabolism
2021 Expectations
Editor:
2010 Reconstruction of an Encounter
2012 Everybody in Our Family
2013 Missing Fragments of a Murder
2013 Quod erat demonstrandum
2013 When Evening Falls on Bucharest or Metabolism
2021 Expectations
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.