A work in constant progress (and occasional regress).
Camera Operator:
2000 Mary Magdalene
2001 Judas: Close to Jesus
Cinematography:
2000 Joseph of Nazareth
2000 Mary Magdalene
2001 Judas: Close to Jesus
2001 The Friends of Jesus: Thomas
2016 The Champions League
Director of Photography:
1999 Esther
2000 Joseph of Nazareth
2000 Mary Magdalene
2000 Saint Paul
2001 Judas: Close to Jesus
2001 The Friends of Jesus: Thomas
2003 Augustus: The First Emperor
2003 Mother Teresa of Calcutta
2004 Saint John Bosco Mission to Love
2004 The Apocalypse
2005 St. Peter
2007 Chiara e Francesco
2007 The Final Inquiry
2010 Un cane per due
2012 Natale a 4 zampe
2016 The Champions League
Electrician:
1994 DeGenerazione
1995 The Killer Wore Yellow Shoes
1996 Bits & Pieces
1999 Esther
2000 Joseph of Nazareth
2000 Mary Magdalene
2000 Saint Paul
2001 Judas: Close to Jesus
2001 The Friends of Jesus: Thomas
2003 Augustus: The First Emperor
2003 Mother Teresa of Calcutta
2004 Saint John Bosco Mission to Love
2004 The Apocalypse
2005 St. Peter
2007 Chiara e Francesco
2007 The Final Inquiry
2010 Un cane per due
2012 Natale a 4 zampe
2016 The Champions League
BTS Photographer:
2007 L'inchiesta - Anno Domini XXXIII
Cinematography:
2007 L'inchiesta - Anno Domini XXXIII
2015 Grand Hotel
2016 L'allieva
2021 Luce dei tuoi occhi
2022 Fosca Innocenti
Director of Photography:
2000 Father Matteo
2005 Carabinieri - Sotto copertura
2007 L'inchiesta - Anno Domini XXXIII
2007 Pompeii
2013 Rosso San Valentino
2015 Grand Hotel
2016 L'allieva
2017 Disappeared
2021 Luce dei tuoi occhi
2022 Fosca Innocenti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.