A work in constant progress (and occasional regress).
Born:
July 20, 1988
Andy Compton is an Asian American writer and director from the heart of the Midwest—St. Louis, Missouri. Once a hard-partying high school dropout from a dysfunctional home, Andy found sobriety in his late-20s, turned his life around, and went on to graduate Cum Laude from Webster University with a BA in Scriptwriting and a Minor in Film and Television Production. In addition, Andy also graduated from The Improv Shop’s Training Center and played on a number of sketch and improv teams, writing and performing in dozens of live shows from 2017 to 2020. Much like his own story, Andy’s characters often navigate small-town worlds in search of their own larger-than-life triumphs, through which Andy balances his comedic sensibility with dramatic storytelling—shining a light on topics such as class struggle, addiction, and other dark aspects of life in the working-class Midwest. During his time in film school, he wrote his comedy feature, BELLYACHE, currently optioned with an Emmy-nominated producer and Emmy-winning star attached. In addition, his 2023 short film, CAPTCHA, which he wrote, produced, directed, and edited, was a winner of Best Screenplay, Best Comedy, and received the Essy Award for Best Narrative Film at the 2023 St. Louis Filmmakers Showcase. Andy’s writing is often amusing, at times—heartbreaking, but always feels undeniably human.
Co-Editor:
2020 Tin Box
Co-Producer:
2020 Tin Box
2022 Ethan and Edna
Director:
2020 Tin Box
2022 Ethan and Edna
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Editor:
2020 Tin Box
2022 Ethan and Edna
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Producer:
2020 Tin Box
2022 Ethan and Edna
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Writer:
2020 Tin Box
2022 Ethan and Edna
2024 Us + One
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.