A work in constant progress (and occasional regress).
Alias:
Harold Tichenor
Birthplace:
Philadelphia, Pennsylvania, USA
Born:
January 17, 1946
Consulting Producer:
1990 The NeverEnding Story II: The Next Chapter
Director:
1966 Four Passes of the Invisible Hand
1968 Omochi
1972 Concerto for Water, Sun and Wilderness
1990 The NeverEnding Story II: The Next Chapter
???? Square
Executive Producer:
1966 Four Passes of the Invisible Hand
1968 Omochi
1972 Concerto for Water, Sun and Wilderness
1990 The NeverEnding Story II: The Next Chapter
1997 Assault on Devil's Island
2001 Cabin Pressure
???? Square
Line Producer:
1966 Four Passes of the Invisible Hand
1968 Omochi
1972 Concerto for Water, Sun and Wilderness
1990 The NeverEnding Story II: The Next Chapter
1994 The NeverEnding Story III
1997 Assault on Devil's Island
2001 Cabin Pressure
???? Square
Producer:
1966 Four Passes of the Invisible Hand
1968 Omochi
1972 Concerto for Water, Sun and Wilderness
1989 The Penthouse
1990 The NeverEnding Story II: The Next Chapter
1993 Other Women's Children
1994 My Name Is Kate
1994 The NeverEnding Story III
1995 She Stood Alone: The Tailhook Scandal
1995 When the Vows Break
1997 Assault on Devil's Island
2001 Cabin Pressure
???? Square
Second Unit Director:
1966 Four Passes of the Invisible Hand
1968 Omochi
1972 Concerto for Water, Sun and Wilderness
1989 The Penthouse
1990 The NeverEnding Story II: The Next Chapter
1993 Other Women's Children
1994 My Name Is Kate
1994 The NeverEnding Story III
1995 She Stood Alone: The Tailhook Scandal
1995 When the Vows Break
1997 Assault on Devil's Island
2001 Cabin Pressure
???? Square
Consulting Producer:
2002 The Dead Zone
Producer:
1991 Lightning Force
1995 Children of the Dust
1996 Titanic
2000 Higher Ground
2002 The Dead Zone
2005 Terminal City
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.