A work in constant progress (and occasional regress).
Akshay Bhatia is a Georgia-born, Atlanta-based filmmaker. He recently served as Francis Ford Coppola's personal assistant and directorial apprentice on Megalopolis, where he followed the project from pre-production all the way through post-production and premiere. During the shoot, he aided in directing and writing scenes for the film, and apprenticed under Roman Coppola, director of the second unit, working most frequently with him to help rehearse the many practical special effects in the film. He also collaborated with Mike Figgis, director of Leaving Las Vegas, on MegaDoc, the behind-the-scenes documentary on the making of Megalopolis. Along with the ongoing festival tour of his latest short film as director, titled The Preakness, starring Jeffrey Pierce of The Last Of Us fame, with music by electronic music legend Dan Deacon, Bhatia is in development on his debut feature, as well as serving as producer on an untitled zombie film directed by renowned film critic Scout Tafoya and executive produced by Mark Pellington, director of The Mothman Prophecies and Arlington Road.
Assistant Director Trainee:
2024 Megalopolis
Cinematography:
2024 Megalopolis
???? The Preakness
Director:
2024 Megalopolis
???? The Preakness
Music:
2020 Soulless
2022 Writer's Block
2024 Megalopolis
???? The Preakness
Producer:
2020 Soulless
2022 Writer's Block
2024 Megalopolis
???? It Is What It Is
???? Just One More
???? The Preakness
Sound Designer:
2020 Soulless
2022 Writer's Block
2024 Megalopolis
???? It Is What It Is
???? Just One More
???? Mercy
???? The Preakness
Writer:
2020 Soulless
2022 Writer's Block
2024 Megalopolis
???? It Is What It Is
???? Just One More
???? Mercy
???? The Preakness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.