A work in constant progress (and occasional regress).
Alias:
Wei Lu
卢伟
芦伟
芦苇
Birthplace:
Beijing, China
Born:
March 17, 1950
Art Designer:
1989 The Price of Frenzy
Director:
1989 The Price of Frenzy
1997 Journey to Western Xia Empire
2024 Shennong Monster
Executive Producer:
1989 The Price of Frenzy
1997 Journey to Western Xia Empire
2020 Like Father and Son
2024 Shennong Monster
Producer:
1989 The Price of Frenzy
1997 Journey to Western Xia Empire
2007 Blind Mountain
2020 Like Father and Son
2020 Promise
2020 Young Sangye
2024 Shennong Monster
Screenplay:
1989 The Price of Frenzy
1993 Farewell My Concubine
1994 To Live
1997 Journey to Western Xia Empire
2006 Tuya's Marriage
2007 Blind Mountain
2008 Red Cliff
2015 Wolf Totem
2020 Like Father and Son
2020 Promise
2020 Young Sangye
2024 Shennong Monster
Script Consultant:
1989 The Price of Frenzy
1993 Farewell My Concubine
1994 To Live
1997 Journey to Western Xia Empire
2006 Tuya's Marriage
2007 Blind Mountain
2008 Red Cliff
2015 Wolf Totem
2020 Like Father and Son
2020 Promise
2020 Young Sangye
2021 Liu Qing
2023 Creation of the Gods I: Kingdom of Storms
2024 Shennong Monster
Writer:
1977 蓝天防线
1978 March in Front of the War
1982 Wild Chrysanthemum
1984 人生没有单行道
1987 Desperation
1989 Ballad of the Yellow River
1989 The Price of Frenzy
1993 Farewell My Concubine
1994 To Live
1995 Peach Blossom
1995 Red Cherry
1996 The Emperor's Shadow
1997 Journey to Western Xia Empire
2006 Tuya's Marriage
2007 Blind Mountain
2008 Red Cliff
2015 Wolf Totem
2019 A City Called Macau
2020 Like Father and Son
2020 Promise
2020 Young Sangye
2021 Liu Qing
2021 无翅飞翔
2023 Creation of the Gods I: Kingdom of Storms
2024 Shennong Monster
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.