A work in constant progress (and occasional regress).
Birthplace:
Catania, Italy
Born:
January 4, 1979
Giuseppe Spina is an Italian filmmaker based in Bologna. His films have been screened at numerous international festivals, including International Film Festival Rotterdam, EMAF, CROSSROADS, Annecy's IAFF. He is the co-founder of Nomadica, an international network of artists and intellectuals focused on experimental cinema.
Camera Operator:
2023 Where do the old ignored gods go?
Director:
2005 Tecnacria
2007 Même père même mère (un film de voyage)
2008 Ouaga! Hommage à l'homme du 4 aout
2013 El tiempo del no tiempo
2014 Jazz for a Massacre
2014 Zauma
2017 Impressio in-urbe (#1 Bologna)
2017 Romnì
2018 Màcula
2019 Luminous Variations in the City Skies
2021 Macchina Infinita
2023 Where do the old ignored gods go?
???? City-State (1992/1994)
Editor:
2005 Tecnacria
2007 Même père même mère (un film de voyage)
2008 Ouaga! Hommage à l'homme du 4 aout
2013 El tiempo del no tiempo
2014 Jazz for a Massacre
2014 Zauma
2017 Impressio in-urbe (#1 Bologna)
2017 Romnì
2018 Màcula
2019 Luminous Variations in the City Skies
2021 Macchina Infinita
2023 Where do the old ignored gods go?
???? City-State (1992/1994)
Sound Designer:
2005 Tecnacria
2007 Même père même mère (un film de voyage)
2008 Ouaga! Hommage à l'homme du 4 aout
2013 El tiempo del no tiempo
2014 Jazz for a Massacre
2014 Zauma
2017 Impressio in-urbe (#1 Bologna)
2017 Romnì
2018 Màcula
2019 Luminous Variations in the City Skies
2021 Macchina Infinita
2023 Where do the old ignored gods go?
???? City-State (1992/1994)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.