A work in constant progress (and occasional regress).
Birthplace:
London, England
Born:
October 4, 2001
Emmanuel Li is a BAFTA-Qualifying Writer/Director based in London. Drawing from a multi-disciplinary background in theatre, magic, music and more, his imaginative tales often follow drifters and dreamers on the fringes of society, frequently displaying a reverence towards nature, a penchant for magical realism and a restless theatricality. In 2019, he co-founded production collective “Big Tent Films” under which numerous shorts and music videos have been produced which have screened at festivals worldwide, as well as cultivating almost 1 million views on YouTube. They strive to craft immersive, expressive worlds with a playful approach towards genre and form, seeking out narratives that uplift marginalised voices, especially those of the queer Asian diaspora. In 2021 they were named the BFI’s "Best New Talent" for his short 'MUSIC FOR THE END OF THE WORLD'.
Assistant Camera:
2024 Polymorphia
???? Wheels of Fortune
Cinematography:
2021 backspace
2022 Heart Breaker
2024 Polymorphia
???? Wheels of Fortune
Color Grading:
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Pulp by Rind
2024 Polymorphia
???? Wheels of Fortune
Colorist:
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2024 Polymorphia
???? Wheels of Fortune
Director:
2019 Have You Seen Buster?
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Director of Photography:
2019 Have You Seen Buster?
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Editor:
2019 Have You Seen Buster?
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Grip:
2019 Have You Seen Buster?
2020 Milk Before Cereal
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Music:
2019 Have You Seen Buster?
2020 Milk Before Cereal
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Producer:
2019 Have You Seen Buster?
2020 Early Works
2020 Jo and Jade
2020 Milk Before Cereal
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Writer:
2019 Have You Seen Buster?
2020 Early Works
2020 Jo and Jade
2020 Milk Before Cereal
2021 Dream of Now
2021 MUSIC FOR THE END OF THE WORLD
2021 Rabbits N' Ruses
2021 backspace
2022 Allotment
2022 Heart Breaker
2022 Letter to You
2022 Pulp by Rind
2023 Fortune Favours the Fantabulous
2023 Groundswell
2024 Polymorphia
2024 Spokes & Robbers
???? Wheels of Fortune
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.