A work in constant progress (and occasional regress).
Stuart Penn is a visual effects supervisor at Framestore. Before entering the world of visual effects, Stuart spent a decade as a research physicist specializing in superconductors and dielectric materials. During this time, he established a new research department at London South Bank University, where he led pioneering academic work in the field. Since leaping VFX, Stuart has contributed to some of cinema’s most iconic films and franchises. His credits include Christopher Nolan’s The Dark Knight, Marvel’s Guardians of the Galaxy, and Alfonso Cuarón’s Academy Award-winning Gravity, where he played a key role in developing the groundbreaking techniques used to simulate zero gravity—working with motion control robotics and an advanced LED lighting stage. In 2017, Stuart collaborated with Ridley Scott as VFX Supervisor on Alien: Covenant, reviving the legendary ‘face hugger’ creature and applying his technical expertise to the film’s gravity-defying sequences. His extensive on-set experience has supervised key scenes for the BAFTA-nominated Paddington 2 and Amazon’s high-flying adventure The Aeronauts. Stuart led Framestore’s contributions to Avengers: Endgame, Marvel’s record-shattering blockbuster, the magical Netflix/StudioCanal holiday tale A Boy Called Christmas, and a technically demanding sequence for Venom: Let There Be Carnage.
CG Supervisor:
2017 King Arthur: Legend of the Sword
Modeling:
2009 Avatar
2017 King Arthur: Legend of the Sword
Senior Modeller:
2005 Kingdom of Heaven
2009 Avatar
2017 King Arthur: Legend of the Sword
Thanks:
2005 Kingdom of Heaven
2009 Avatar
2017 King Arthur: Legend of the Sword
2018 The Blue Virgin
Visual Effects Supervisor:
2005 Kingdom of Heaven
2009 Avatar
2017 Alien: Covenant
2017 King Arthur: Legend of the Sword
2017 Paddington 2
2018 The Blue Virgin
2019 Avengers: Endgame
2019 The Aeronauts
2021 A Boy Called Christmas
2021 Venom: Let There Be Carnage
2025 Mickey 17
2025 The Fantastic Four: First Steps
2026 Project Hail Mary
Visual Effects Supervisor:
2021 Loki
2022 1899
2022 Moon Knight
2024 Doctor Who
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.