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Hannah Haddix

Biography from TheMovieDB

Hannah Haddix is a Seattle-based, world-traveling artist, fetish model, psychonaut, and general alien-brained deviant. Inspired by her formative years living with Genesis P-Orridge and touring with Psychic Tv she enjoys utilizing the cut-up method in collage work, and ritual magic that doubles as performance art.  Hannah was initiated as a Magus into the Coyotel Church in 2014 and has been traveling and collaborating with Coyotel for various ritual performances and art shows including a Death Curse on Monsanto in Minneapolis, MN, a Death Curse on Nestle in Los Angeles, CA, and a Coyotel Collage Society art exhibition that is presently on display at the Museum of Porn in Art in Zürich, Switzerland.  In 2016 Hannah collaborated with Genesis P-Orridge for a performance art piece at The Rubin Museum of Art in Manhattan, NY called “Creation Re-Created” where she co-wrote, directed and starred in the production. Previous collaborations with Genesis includes playing samples and percussion on the Psychic Tv album “Mr. Alien Brain vs. The Skinwalkers” and living in Kathmandu, Nepal for two months in 2009 performing a puja for Lady Jaye and utilizing the local magic and medicine to explore the inner and outer chaosmos.  Hannah Haddix is most widely known for her contribution to Facebook culture. Her shameless&creative expression, constant fight to free the nipple, dream documentation, willingness to express the less glamorous aspects of daily life, and fight against censorship has resulted in a world-wide following. Growing tired of being thrown in Facebook jail for her artwork she has decided to move her content onto her own site where she makes and breaks all the rules. You have landed at that very hub of expression. Welcome and enjoy your stay.  Hannah resides on a rooftop in downtown Seattle with her snakes, Chauncey & Malkuth, and her extraterrestrial surrogate lover, Baelien. Her apartment has been dubbed The Darkhouse of Possibilities and that is where she spends her time making cut-up collages, having naked dance parties, and exploring vivid dreamscapes.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.